Random Cuts - Number 62
Posted by almax on March 16, 2008
I have a recollection that when I was a schoolboy in Dumbarton we used to visit a shop in the High Street (upstairs I think) which had a stock of apparently esoteric ‘heavy’ rock records, of the sort that you’d only ever hear or hear of on the John Peel show. (I’m sure Robert will fill in the historical details of which shop that was).
None of us ever had any money of course - very occasionally we’d collect enough to get the new Beatles single, but that was about the stretch.
In 1970 or thereby our musical tastes were moving away from the child-oriented pop represented by the likes of ‘Chirpy-chirpy-cheep-cheep’ and moving towards the kind of heads-down no-nonsense satanist boogie of Sabbaff and “Generals gathered in their masses, just like witches at black masses.”
We liked to go to that shop and see what we could nick browse amongst the exotic ‘underground’ music.
Thus, in or around 1970, I saw a number of LP sleeves which utterly entranced me, though they were way beyond my price range.
Miles Davis - Bitches Brew; The first Plastic Ono Band album; Santana - Abraxas; Soft Machine 3; Traffic - John Barleycorn Must Die; The Trees - On the Shore; King Crimson - In the Court of the Crimson King; Frank Zappa - Hot Rats; Laura Nyro - New York Tendaberry; Janis Joplin - Kozmic Blues to name but the tip of a very large and excitingly arcane iceberg.
Two albums that really stood out for me, because of the outre nature of the sleeves were The Mothers of Invention - Weasels Ripped My Flesh and the album which is featured here, the truly wonderful ‘Joy of a Toy’ by Kevin Ayers.
I promised myself that the minute I joined the capitalist system and was earning money as a wage-slave I was going to buy all these records and many others too numerous to mention.
And I did.
I bought the album about 1978. I frankly didn’t have any great expectations of ‘Joy of a Toy’ - I liked the sleeve, but I knew next to nothing of Kevin Ayers. I knew nothing of his pioneering work with Soft Machine and others developing a peculiarly English psychedelia. I knew nothing of the Canterbury scene. I knew nothing of the high regard he was held in by many other musicians. I knew nothing of his working association with many musicians who would later become favourites of mine, including Robert Wyatt, Syd Barrett, Daevid Allen and Ollie Halsall.
I just put on the record and listened.
And it is great.
And it is one of my favourite albums.
And it is quintessentially English.
This is one of my favourite songs by any artiste - this would easily make my top 200. I particularly adore the reference to ‘I Am The Walrus’
This is Kevin Ayers - Song For Insane Times
People say that they want to be free
They look at him and they look at me
But it’s only themselves they’re wanting to see
And everybody knows about it
We talk all night and we’re all turned on
We believe we heard him singing his song
Telling us all there was work to be done
And we all sang a chorus of I am the walrus
Yes Disneyland has come to town
Everyone’s dressed and standing around
Alice is wearing her sexiest gown
But she doesn’t want you to look at her
Beautiful people are queuing to drown
They wait for the lifeguard to put on his crown
But he’s up at the other end of town
Trying to talk to the mirror
The scientist talks and he knows what he means
He sits on the floor and has beautiful dreams
Then he gets brought down by a woman who screams
But he knows it’s only a record… Oh yes it is
His brave new girl stops feeding the ants
And looks at him with her septic pants
She still knows how to make him dance
And forget about emancipation… it’s just imagination
And you and I we sit and hum
We know something’s got to come
And get us off our endless bum
There’s probably one in the bathroom
Or even in the hall
I don’t know anymore than you do
In fact I don’t know anything at all
Posted in Kevin Ayers, Random Cuts | 2 Comments »





